Gene Hackman plays a man who was just fired from his executive job. He's demoted to being the night manager at a 24 hour drug store. He doesn't get along with his wife (Diane Ladd) or his 18 year old son Freddie (played by 26 year old Dennis Quaid). Freddie is sleeping around with his 4th cousin Cheryl (Barbra Streisand). George tries to put a stop to it and Cheryl dumps Freddie and starts sleeping with him! This is a strange one. It came out in 1981 and bombed immediately. It had a lot of bad publicity with Lisa Eichorn being fired and replaced with Streisand. Also Streisand re-wrote the entire script to make her part bigger. She wanted to try something different with this movie. That's fine but why redo the script? This story was about George and his dealing with being fired and being middle-aged--Streisand should have left the script alone. As it is it's a terribly uneven movie--veering wildly from drama to comedy. The drama is pretty heavy and the comedy is, at best, subtle. It was pushed as a romantic comedy which it certainly was not. However it was never dull and works as a mild dramady. W.D. Richter wrote the original screenplay and he always writes (and directs) offbeat movies so this being a strange movie makes sense.

Acting is all over the map. Streisand (wearing a blonde wig) plays her role in a muted way. She only sings one song (badly) and doesn't play the tough-acting role she's well known for. She tries for something different but it doesn't work. Hackman is just great in his role--he really brings the movie to life. Ladd is hardly in this and Quaid is WAY too old for his role--and looks it. So it is uneven and strange but worth a look. I give it a 5.

Gene Hackman is completely winning as George Dupler, an average Joe who vents after repeatedly being passed over for promotion in his company. So he gets demoted to managing an all-night drugstore - a place with a decidedly weird clientele. He buys some trouble for himself when he pursues new acquaintance Cheryl Gibbons (Barbra Streisand), who's already been getting it on with Georges' teenage son Freddie (Dennis Quaid)!

Overall, an interesting venture for the stars that didn't really deserve to bomb so mightily in its time. It's flawed, to be sure (for one thing, it's not completely resolved to any real satisfaction), but it has a certain endearing quality. In that sense, it's much like the unconventional casting of Streisand here, who was a replacement for Lisa Eichhorn. (Supposedly, Gene and Lisa did not get along, which is one reason given why the switch was made.) But Babs is fairly likeable here, and much of the cast does fine work. "All Night Long" is just offbeat and loopy enough to be watchable, although it works better when depicting the strange folk who come out at night, rather than the romance at the centre of the plot. (The screenplay is by W.D. Richter, who more often than not has specialized in offbeat tales, like his directorial debut, "The Adventures of Buckaroo Banzai in the Eighth Dimension".)

Hackman is the main reason to watch. He's at his most engaging, playing this middle aged man dealing with the various setbacks and nuances at this stage in his life. But there's a steady parade of familiar faces in supporting and bit parts to perk things up: Kevin Dobson, William Daniels, Hamilton Camp, Ann Doran, Raleigh Bond, Tandy Cronyn, Terry Kiser, Vernee Watson, Chris Mulkey, Richard Stahl, Bonnie Bartlett, etc.

In the almost 40 years since this release, Gene and Babs have expressed negativity towards the film if they indeed acknowledged it at all. And many Streisand fans denote it as a low point in her career. But the casual movie watcher might not be so harsh, and see this for what it is: a harmless, amiable trifle.

Six out of 10.

Stuck-in-a-rut businessman Gene Hackman gets fed up with the rat race after being demoted from company executive to manager of an all-night convenience store. He longs to be an inventor (he creates a reverse-image mirror), and ends up divorcing his non-supportive wife over speculation he's having an affair with his teenage son's married girlfriend, a flighty sexpot in lavender chiffon. Comedy-drama has some early promise but not enough jokes, and it starts to sag just 40 minutes in. Hackman displays his effortless charm, and Barbra Streisand attempts something offbeat--though it's a gamble which doesn't quite pay off, as we never get a grip on her wispy Cheryl. The picture is a cracked egg: interesting conception and design, yet unsatisfactory. There are a handful of funny lines and trenchant bits of satire scattered about, and every scene in the drug store is ripe with possibilities which are then left unformed and unrealized. *1/2 from ****