Jaws 3-D

1983

Action / Adventure / Horror / Thriller

33
Rotten Tomatoes Critics - Rotten 11% · 37 reviews
Rotten Tomatoes Audience - Spilled 17% · 100K ratings
IMDb Rating 3.7/10 10 49205 49.2K

Plot summary

This third film in the series follows a group of marine biologists attempting to capture a young great white shark that has wandered into Florida's Sea World Park. However, later it is discovered that the shark's 35-foot mother is also a guest at Sea World. What follows is the shark wreaking havoc on the visitors in the park.


Uploaded by: FREEMAN
August 05, 2024 at 05:45 PM

Director

Top cast

Dennis Quaid as Mike Brody
Lea Thompson as Kelly Ann Bukowski
Louis Gossett Jr. as Calvin Bouchard
Bess Armstrong as Kathryn Morgan
720p.BLU 1080p.BLU 2160p.BLU.x265
903.51 MB
1280*534
English 2.0
NR
23.976 fps
1 hr 38 min
Seeds 7
1.64 GB
1920*800
English 2.0
NR
23.976 fps
1 hr 38 min
Seeds 31
4.63 GB
3840*1600
English 5.1
NR
23.976 fps
1 hr 38 min
Seeds 22

Movie Reviews

Reviewed by snoozejonc 5 / 10

Major problems but entertains in its own way

A pair of Great White sharks attack Sea World in Florida.

Jaws 3-D is a mostly weak film but has the redeeming quality of presenting such an outrageous concept you cannot help but watch it unfold. Additionally, it's artistic and technical merits are quite enjoyably flawed.

Jaws 2 was an unnecessary yet well made sequel, but having members of Brody family face yet another "murderer" shark is a laughably daft concept. Rather disturbingly it continued a trend of movies that demonise sharks. There are numerous other ideas involving the behaviour of sharks/dolphins and reactions of the main characters that are equally as bizarre, but if you can switch the brain off and appreciate their entertainment value you might find it a worthwhile investment of time. It also contains recycled character arcs from the original movie that feel like pale imitations.

Technically it has problems, particularly when most viewers will not get the chance to see the theatrical release. Most visuals designed for a 3-D experience stand out and do not have the same impact.

The shark horror sequences have little build up or tension and are quite unconvincing. I do admire the ambition of attempting to create a victim's perspective sequence from the inside of its mouth, but most of the final scenes of painfully slow moving underwater horror, (particularly the moment in the control room) are incredibly ropey.

That's not to say that the classic original did not (in principle) have the same problems. A mechanical shark looks like nothing else in every Jaws movie. However, Spielberg understood this and wisely kept the shark mostly hidden and focussed on developing great characters and tension.

I feel sorry for the editor of this sequel as it appears they had to cut together footage from both above and below the sea level that make the water's depth and lighting conditions look very inconsistent.

For some balance I am positive about the performances. Most actors do their best with dodgy material. Louis Gossett Jr, Bess Armstrong, and the coked up Dennis Quaid standout. Lea Thompson has some memorable moments as the "professional water skier". It feels the direction was more focussed on making the cast look good in shorts and swimsuits than character portrayals, but they manage to elevate some scenes. Armstrong convinces me as a whale/dolphin wrangler and I think she is the strongest performer.

As a young child of the 80s I quite enjoyed it on VHS. On a recent rewatch I placed it in the genre: so bad it's good, and sub-genre: never rewatch and spoil that of which you have fond childhood memories.

Reviewed by OllieSuave-007 8 / 10

The better of the Jaws sequels.

This is Jaws' second sequel, which I think is the best of the three following the original movie. The sons of Roy Scheider's Chief Brody character, Mike and Sean, take center stage. Mike and girlfriend Kathryn Morgan are marine biologists at a Seaworld theme park. They discover a baby shark, which happened to be trapped inside the park, and later perishes. To their surprise, the scientists also discover that its 35-foot mother, a huge Great-White shark, is also trapped inside and is hungry; therefore, they try to evacuate Seaworld before any casualties strike.

The special effects were bit of a downgrade from the first two movies, with the shark's execution being less realistic and horrific; in some scenes, you could hear the animatronics and machinery that the crew used to operate the animal. Alan Parker did a fine job on the music score, I think, and also incorporated John Williams' famous shark theme.

While this film was pretty much slammed by many critics and viewers, even garnering several Razzie Award nominations, I actually thought the movie was exciting and more fun to watch than Jaws II. Having the setting inside a water theme park rather than the usual beaches in a small town is a neat idea, and seeing the Seaworld workers reacting to the idea that a huge Great White is inside the park, where thousands of visitors are, and trying desperately to find a plan to evacuate the park and capture the shark is suspenseful. The acting is descent and plot is fast-paced. Director Joe Alves did a pretty good job making the movie.

There are more surprises and thrilling moments, I think, than in the previous movie. My favorite scene is the part where the Great White swims toward the viewing glass from the park's control room, puncturing the glass, letting water rush in and sending every person inside swimming for their lives.

Overall, Jaws III doesn't match the original film in fright and shock value, but is what I think the better of the three sequels.

Grade B

Reviewed by ma-cortes 3 / 10

Another inferior and embarrassing sequel from Spielberg classic

The Great White goes back into the cinema in this flawed sequel.This bone-chilling movie based on the Peter Benchley's novel and written by Richard Matheson and Carl Gottlieb (screenwriter of the trilogy) , it packs some exciting scenes, thrills, chills and lousy direction. The film is developed at Florida in a seaside park , while the previous entries are set at in New England in a shore community named Amity .There ,people is terrorized by a giant shark that attacks pacific tourists at the undersea kingdom during the preview week. An underwater world that contains restaurant, cafeteria, aquarium and several other things.The sons ( Dennis Quaid and John Putch) of Police chief Brody ( Roy Scheider, Lorraine Gary Jaws I,II) attempt to convince the park owner (Louis Gossett Jr) who reluctantly listen them to close the attraction . Meanwhile the giant shark attacks and the victims run afoul and making a real carnage and those serving for lunch. Then, an adventurer named Phillip(Simon MacCorkindale) and his helper determine to track down and kill it. The protagonists are forced to fight for their lives in a mortal confrontation.

It's an inferior following with average creation of tension,thrills,terror, emotions and brief gore. The story gets little relation to first two Jaws, except by father Sheriff Brody and sons relationship. The argument of this gratuitous following is partially similar to ¨Revenge of the creature¨(Jack Arnold) in which also a monster terrorizes a sea park. The shark attack images deliver the exciting united to creepy score composed and conducted by Alan Parker inspired on the classic soundtrack by the master John Williams (prized with an Oscar) who heightens the suspense. This below average movie features lousy interpretations of the quintet main star, Dennis Quaid, Bess Armstrong, Louis Gossett Jr, John Putch and Lea Thompson (formerly to ¨Back to the future¨) . Regular cinematography by James A Contner (subsequently filmmaker) and is badly directed by Joe Alves, producer designer of the original film. While the classic picture by Spielberg obtained three Oscars well deserved and today considered an authentic classic, its tree sequels are much worst, and were respectively directed by Jeannot Swarc,Joe Alves and Joseph Sargent in annoying direction. Rating: Bottom of barrel, a real turkey. Only for theaters, its real asset are the 3D digital effects, for that reason in television lost their spectacular Tri-dimensional qualities.

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