Our protagonist is resourceful, tenderhearted, homeless. He finds himself with a baby, someone else's, and suddenly his life shifts focus. The child, thankfully, does not redeem the main character whose actions are a natural extension of who he is-a nameless person. Without home and name doesn't mean without personality, and a life, and the instinct for survival. The main character suddenly has to be concerned for someone other than himself, and this is the charm of the film, charm without sentimentality.
This is an intriguing contrast of the humorous set against the plight of the homeless in NYC; it works, partly because it is so outrageous and comic in its implementation-e.g. the conflict with the other street artist, the use of the bathtub. A gentle, good film whose final moments still resonate in the mind, not because of their greatness, but because of the unexpected but successful shift in focus and technique. It achieves.
Charles Lane as writer, director, and main character has done a very fine job in three areas, none suffering because of the others.
Plot summary
A New York City street artist rescues a baby girl after her father is murdered. He then sets off to find the mother, but has to first learn how to care for the child. Ultimately he ends up in a horse drawn chase for the murderers.
Uploaded by: FREEMAN
July 17, 2024 at 05:00 AM
Director
Top cast
Tech specs
720p.BLUMovie Reviews
A mostly-silent film in black and white
Actually...not a bad movie....
I saw this film a number of years back---circa 1990---on PBS. It got ONE airing...and I never saw it again. I had even forgotten the title...until I ran across it by accident.
Charles Lane pays homage---in a manner of speaking---to Chaplin...by way of default. This was a period when Blacks were still struggling to get any film made...and struggling to have films released. Lane ran out of dollars, evidenced by some few moments of sound.
But he manages to salvage the film in the style of pantomime...like the "ol' time flickers". This film is more a commentary on the times, than an homage to any particular screen idol of the past. Homelessness and poverty are its main themes, and the struggle to survive is intensified when the hero takes on the added responsibility of caring for a child whose parent has gone down in an "unfortunate happenstance".
The acting is natural, not campy, and there are a few "hot scenes". But, all in all the film is a good watch, rather touching at points, filled with 'Chaplin-esque' pathos (a la "The Kid"...but it doesn't get quite that intensely mushy). However, the closing scene is pretty intense, and reveals a bit of the pain, misery and suffering all too pervasive during that time---all in the name of greed--and much of which remains with us to this day.
Charles Lane needs to make other films, and he needs to put this one back into circulation--it merits an across the board viewing. This one is a stand alone of the genre of Black films and, though it had nothing even close to the budget of Mel Brook's "Silent Movie", its point are well taken. It is a movie that you will enjoy...and I would caution having the kids watch due to some sexual situations and a little violence. But enjoy. I don't know if this film is back in circulation---I understand it has been out of circulation for some time...but I would not mind coming into possession of a copy.
An homage to Chaplin with a message.
Lane's Sidewalk Stories is a unique homage to Chaplin, with a social message dealing with the stereotype of the homeless. Lane uses the character of the Tramp for comedy but also as a literal representation of a homeless man without being overly sentimental or heavy handed.